The Vardys Review: A Very Bad, Very Boring Blow for Wagatha Christie Fans

The three-part reality series The Vardys follows Jamie Vardy and Rebekah Vardy as they adjust to a new chapter in Italy after Jamie leaves Leicester City for Cremonese, but the show is presented as deeply unengaging and largely underwhelming. Rather than offering revealing new access to the former Leicester striker’s career or personal life, the series leans heavily on familiar material, especially the difficult early period of Jamie’s time in Italy, including injury, pressure, a disappointing debut, and a lack of goals. For viewers hoping for memorable football content, the documentary offers little that has not already been seen or heard before.
The program is also likely to disappoint audiences interested in Rebekah Vardy’s perspective on the so-called “Wagatha Christie” libel case she brought against Coleen Rooney and lost. The series touches on the case only briefly and mostly through Rebekah’s insistence that she will never apologize for something she says she did not do. Her remarks suggest frustration with the subject and reluctance to revisit it, despite the clear implication that the show was commissioned in part because of public interest in the dispute. Her comments on Rooney are limited, including a claim that she has no negative feelings toward her, while also implying that any further discussion would only “get messy.”
Most of the series instead focuses on the practical strain of relocating the Vardy family to Italy. That includes packing up their home, searching for a rental property, dealing with visas, and trying to secure school places for five children, while one of their six children remains in England. The result is described as a slow and mundane account of ordinary domestic logistics, made no more interesting by the family’s wealth. The central events are portrayed as bureaucratic and repetitive rather than dramatic or entertaining.
Jamie Vardy is shown offering very little beyond a few brief remarks about family unity and resilience. His presence is described as minimal, with few fresh insights into either his football career or his private life. Rebekah is similarly framed as taking part in scenes that appear staged or performative, particularly when she is shown moving boxes and handling household tasks while dressed in pristine white clothing. The article suggests that the series attempts to manufacture tension and significance out of everyday chores and predictable developments.
Overall, The Vardys is depicted as a dull and self-important reality show that offers little reward to football supporters, followers of celebrity legal disputes, or general viewers. Its main topics are familiar, its drama feels forced, and its pacing is described as slow and tedious. Rather than shedding new light on Jamie and Rebekah Vardy, the series is presented as an exercise in repetition, routine, and anticlimax.



