Horror Fan Says Obsession and Weapons Are Set in the Same Universe, and Fans Are Buying It
Fans are debating whether the 2025 horror film Weapons and the 2026 release Obsession exist in the same universe after an X user, BLURAYANGEL, shared a video suggesting a possible link between the two movies. The theory centers on a shared supernatural detail: both films feature a wooden branch or twig tied to dark magic. In Weapons, Aunt Gladys uses ritual magic connected to a stick from an old tree, while Obsession features the One Wish Willow, prompting some viewers to wonder if both stories come from the same cursed-tree mythology.
The idea quickly spread beyond X and reached Reddit, where fans discussed whether the films might be connected through similar occult imagery. Reactions were mostly skeptical. Many commenters dismissed the theory outright, arguing that the branch motif is common in witchcraft and horror folklore and does not necessarily signal a shared continuity. One user pointed out that Obsession was written before Weapons was released, which weakens the idea of any intentional crossover. Another major obstacle is the fact that the films come from different studios: Obsession is a Focus Features title, while Weapons was released by A24. That makes a planned connection between them highly unlikely.
Still, the comparison has captured attention because horror audiences are used to searching for hidden links, easter eggs, and expanded universes. Modern genre storytelling has trained viewers to expect interconnections, especially after years of franchise-building in superhero films and horror properties such as The Conjuring universe. When two recent movies use similar symbols—especially branches, wishes, and rituals—fans naturally start connecting dots, even if the overlap is more thematic than literal.
The article suggests that the stronger argument is not that the films share the same canon, but that they draw from the same folklore. A wish-granting willow and a ritual branch both reflect an old fear that nature can be spiritually dangerous, and that breaking a branch may trigger consequences beyond the physical world. In that sense, Weapons and Obsession may not be part of a single story, but they do appear to tap into a similar horror language rooted in supernatural tradition.
Ultimately, the “same universe” theory is presented as fun fan speculation rather than a serious claim. The evidence for a direct connection is weak, and the production history suggests coincidence rather than coordination. But the discussion highlights how horror fans often turn small visual similarities into larger theories, especially when the imagery feels eerie enough to invite interpretation. Whether or not the films are linked, the idea has become an entertaining conversation starter for genre audiences looking for hidden meaning in modern horror.
