Naomi Scott Discusses Her Debut Album F.I.G., Tour, and Finding Confidence in Her Voice
Naomi Scott is entering a new stage in her career with the release of her debut album, F.I.G, and her first headlining tour. The album arrived in March 2026, and the tour begins on June 10 at The Roxy Theatre in Los Angeles. In a recent interview in New York, Scott said the record is already connecting with listeners in a way that feels deeply personal and rewarding. She described the project as a creative statement made on her own terms, with a small team and a clear artistic vision.
Best known for her work in Lemonade Mouth, Aladdin, Charlie’s Angels, and Smile 2, Scott said music has always been part of her identity. Raised in London by pastor parents, she grew up singing in church and listening to gospel artists such as Mary Mary and Kirk Franklin, while also drawing inspiration from Prince, Janet Jackson, Kate Bush, Kelly Clarkson, and Peter Gabriel. That mix of influences shaped the sound of F.I.G, whose title stands for “Fall Into Grace” and also reflects Scott’s middle name.
Across 11 tracks, the album explores longing, uncertainty, desire, and self-discovery. Scott said she wanted the project to feel nostalgic without becoming overly derivative, and the finished record blends airy production with emotional depth. Songs such as “Bliss” reflect unresolved romantic feelings, “Rhythm,” a duet with Johnny Yukon, captures tentative attraction, and tracks like “Losing You” and “Gracie” emphasize confidence and self-assurance.
Scott worked on the album with Norwegian producer Peder Losnegård, known as Lido, after reaching out to him directly with demos. He said he was struck by how complete the material felt before they even met, describing the songs as lush and emotional. Their collaboration was grounded in shared references, especially gospel music and the pop and R&B sounds of the 1980s and 1990s. Scott said the goal was to create something that felt familiar in spirit while still sounding current.
The visual world around F.I.G is intentionally simple and handmade. Scott described the videos and presentation as DIY, with emotion and movement taking priority over explanation. In the “Call For Me” video, she appears in rehearsal-style settings, moving from controlled and sensual choreography to more intense, uninhibited performance. The imagery mirrors the album’s focus on feeling rather than strict narrative.
Scott said the long creative process helped protect the record from the pressure to move quickly or follow trends. She emphasized trust in personal taste and in the idea that audiences will respond when the work is genuine. That confidence, she said, has also shaped how she approaches her live show. Her upcoming tour will be intimate rather than elaborate, which she described as a “girl in process” performance. Still, her goal is clear: she wants audiences to dance, relax, and let go.
